I left the iPad at home and took a wee sketchbook on holiday to fill a few pages. I’ve been wanting to get back to drawing on paper again and it felt pretty good to ditch the undo gesture for a bit.
Here’s the raw inks:
Picked up a new pen from empik and a copy of RELAX #38 from the airport. Really impressed with the production and large format of RELAX, astounding work from Jakub Rebelka, Philippe Cazaumayou, etc.
I coloured day 2 of PJ Holden’s brilliant holiday comics for the craic:
I flatted the page pretty quickly earlier in the week before adding rendering over the last few days at work. I had about 10 to 30 minutes during my breaks and lunches giving me approximately 10 minutes per panel.
Kinda like PJ’s genius pomodoro technique (which breaks single tasks into 25 minute chunks) 10 minutes is a pretty perfect time limitation to set for a single panel, really keeps you focused.
PJ has collected his holiday comics along with a bunch of other strips on gumroad (it’s pay what you like) and I really enjoyed it!
I’ve uploaded my flats here if you wanna colour the page too.
It’s been fascinating to watch the various approaches to this single panel and I couldn’t help but think of 99 ways to tell a story when I saw each new interpretation throughout the past week or so.
Anyway, it’s been getting a wee bit quiet here on the blog so thought I’d post up my attempt in pencils from a few nights ago.
Old Dog is out on Aug 31 Sept 28 and looks great so be sure to check out issue zero and subscribe to Dec’s newsletter.
Liam Sharp recently posted this awesome tribute to Deaths Head II and 90s comics on his twitter:
I simply couldn’t resist colouring the first page and settled on a muted palette with an added paper texture overlay to give it that vintage 90s Marvel UK feel.
I’ve uploaded my flats here if you wanna give it a go.
Inspired by PJ Holden’s thumbprint brush for CSP I created a very simple spiral brush to play with some shading. Gotta say it’s a really nice effect that instantly improved the solid blacks on this.